2022
Yau, John. “America’s Overlooked Landscape Painters,” Hyperallergic, October 6
Yau, John, “The Hidden Poetry of Everyday Life,” Hyperallergic, September 28
Gingeras, Alison M. and Phaidon Editors, Great Women Painters, London: Phaidon
Alvarez, Rafael, “Ada Calhoun Explores Personal and Cultural History in ‘Also a Poet,’” The Village Voice, August 10
Whelan, David, “Snow Day,” The Brooklyn Rail, February
Carrier, David, “Jane Freilicher & Thomas Nozkowski: True Fictions,” The Brooklyn Rail, February
Segal, Mark, “New Appointment, Another Exhibition,” The East Hampton Star, January 20
Shea, Andrew L., “Style & subject: On ‘Jane Freilicher and Thomas Nozkowski: True Fictions’ at the Milton Resnick and Pat Passlof Foundation, New York,” The New Criterion, January 18
2021
Yau, John, “Paintings Rather Than Pictures,” Hyperallergic, December 22
Von Lintel, Amy and Bonnie Roos, “The Women: Tops in Art, 1960: Abstract Expressionism in Amarillo, Texas,” Woman’s Art Journal, vol. 42, no. 2, Fall/Winter
Avgikos, Jan, “Reviews: Jane Freilicher,” Artforum, May
Yerebakan, Osman Can, “6 Historically Undersung Female Artists to Know About Now,” Architectural Digest, March 5
Goodman, Jonathan, “Jane Freilicher: Parts of a World,” The Brooklyn Rail, February 15
Scott, Andrea K, “Jane Freilicher: At the Galleries,” The New Yorker, January 25
Viladas, Pilar, “A Stirring Exhibition of Jane Freilicher’s Work Opens at Kasmin,” Galerie Magazine, January 19
Clavarino, Elena, “Jane Freilicher: Parts of a World,” Air Mail, January 6
2020
Wilkin, Karen, Figuration Never Died: New York Painterly Painting, 1950–1970, North Adams, MA: The Artist Book Foundation (exh. cat.)
Landes, Jennifer, “Opinion: Holding on to Nature in ‘Painting Place,’” The East Hampton Star, September 17
Shea, Andrew L., “Porter and pals at the Parrish,” New Criterion, September 11
Segal, Mark, “Parrish Reopening by Reservation With New Collection Shows,” The East Hampton Star, July 30
2019
Epstein, Andrew, “‘A fine day for seeing’ – Frank O’Hara at the Museum of Modern Art, New York,” Apollo, October 30
Kimmel, Erin, “‘Painters of the East End’ Explored How the Beaches of Long Island Influenced Abstract Expressionism,” Art in America, September 10
Brady, Anna and Margaret Carrigan, “Private view: must-see gallery shows opening this July and August,” The Art Newspaper, July 2
“The Artists Who Summered on Long Island,” The New Yorker, June 28
2018
Jane Freilicher: ‘50s New York, New York: Paul Kasmin Gallery (exh. cat.)
Cascone, Sarah, “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June
“The Critic’s Notebook: Jane Freilicher,” The New Criterion, May
Smith, Roberta, “Three Artists, Three Arcs, One Gallery,” The New York Times, May
Holman, Matthew, “How Jane Freilicher Found Beauty in the Everyday,” Apollo, May
Kotz, Genevieve, “NYC Gallery Scene Highlights,” Hamptons Art Hub, April 2018
Miller, James, “Private View: Our Pick of April Gallery Shows,” The Art Newspaper, April
Wu, Su, “Jane Freilicher–A Muse,” La Garconne, April
“Jane Freilicher: Review, Goings on About Town,” The New Yorker, April
Felsenthal, Julia, “Jane Freilicher Is the “Absurdly Underrated” Artist Who Painted Flowers Like No One Else Could,” Vogue, April
“Opulent Beauty in a Homespun Environment: Jane Freilicher Paintings,” Fine Art Connoisseur, March 19
2015
Longwell, Alicia G., Jane Freilicher and Jane Wilson: Seen and Unseen, Water Mill: Parrish Art Museum (exh. cat.)
Levere, Jane, “The Divergent Styles of Jane Freilicher and Jane Wilson,” The New York Times, November
2014
Cotter, Holland, “Generosity of Everyday Surrealism: Jane Freilicher’s Friends Celebrate Her Life and Art,” The New York Times, December
Keane, Tim, “The Other World Within This One: On Jane Freilicher,” Hyperallergic, October
Yerman, Marcia G., “Starting Out: 9 Abstract Painters 1953–1971,” Huffington Post, June
Miller, Chris, “Jane Freilicher/Poetry Foundation and Valerie Carberry Gallery,” New City Art, February
Piepenbring, Dan, “Jane Freilicher, 1924–2014,” The Paris Review, December
2013
Jane Freilicher: Painter Among Poets, New York: Tibor de Nagy Gallery (exh. cat.)
Monica, Lauren P. Della, Painted Landscapes: Contemporary Views, Atglen, PA: Schiffer
Rhodes, David, “JANE FREILICHER Painter Among Poets,” The Brooklyn Rail, July
Bellafante, Gina, “Jane Freilicher, a Painter Amid Friends,” New York Times, May
Schjeldahl, Peter, “Poetic License,” The New Yorker, May
Greenwald, Xico, “Freilicher and Friends,” New York Sun, April
2011
Bascove, “Bouquets,” The Three Tomatoes, May
Melia, Mike, “Now On View, The View From Jane Freilicher’s Window,” PBS News Hour: Art Beat, May
Smith, Roberta, “JANE FREILICHER: Recent Paintings and Prints,” The New York Times, May
Yau, John, “JANE FREILICHER Recent Paintings and Prints,” The Brooklyn Rail, April
Chiasson, Dan, “A Vanguard of Friends,” The New York Review of Books, February
2010
Kalil, Susie, Review of “40” at the Texas Gallery, “Culture Map”
blog, July
2009
"Jane Freilicher," Review, Art in America, June/July
"Jane Freilicher: Changing Scenes," Goings on About Town,
The New Yorker, April
National Academy Museum, The New Yorker
2008
Parks, Steve, “Guild Hall’s ‘Inspired by the Light’ Landscapes,” Newsday, June
Genocchio, Benjamin, “Colors of the Season,” The New York Times, April
Schwabsky, Barry, “Spots, Smudges, and Glitter,” The Nation, April
Landes, Jennifer, “Jane Freilicher, Still at One Remove,” The East Hampton Star, January
“Jane Freilicher: Recent Paintings,” Goings on About Town, The New Yorker, January
2007
Cotter, Holland, “NeoIntegrity: Go Ahead, Expect Surprises,”
The New York Times, August
2006
Nichols, Matthew Guy, “Jane Freilicher at Tibor de Nagy,” Art in America, April
Smith, Roberta, “Art in Review: Jane Freilicher,” The New York Times, April
Samet, Jennifer Sachs, “A Chat with the Painter, Portraits of the Artist as a Young Woman,” The New York Sun, March
2005
“It’s a Pleasure to Open This Mail,” Book Review, The Southampton Press, May
“Poetry Review,” The Poetry Society, vol. 95, no. 1, Spring
Panero, James, “Gallery Chronicle,” The New Criterion, February
Johnson, Ken, “Seeing with Feeling The Ordinary and Wild,” The New York Times, February
Kramer, Hilton, “In These Icy Days, Freilicher’s Flowers Can Melt Snow” The New York Observer, January
2004
Kertess, Klaus, Jane Freilicher, New York: Harry N. Abrams Publishers
Esten, John, Hamptons Gardens: A 350 Year Legacy, New York: Rizzoli
Douglas, Julia, “Beyond Sweet Surfaces and Easy Beauty,” The Southampton Press, December
O’Hara, Frank, ARTnews, April
Kimmelman, Michael, “Review: Jane Freilicher,” The New York Times, April
Kramer, Hilton, “Painter Freilicher Has Skyscapers Bow to Dancing Flowers,” The New York Observer, April
Harrison, Helen A., “Exhibits Showcase Four Women Artists,” The New York Times, March
2003
Disch, Thomas M., “Arts & Letters,” The New York Sun, July
Grant, Daniel, “Window to the Artist,” American Artist, June
Kramer, Hilton, “Remember Painting? You Can See Some Up on 89th Street,” The New York Observer, May
2002
Ross, Alex, Jane Freilicher, New York: Tibor de Nagy Gallery (exh. cat.)
Schjeldahl, Peter, “Chez Jane,” The New Yorker, September
Kramer, Hilton, “Freilicher Shows Self in The Artist’s Eye,” The New York Observer, August
Kunitz, Daniel, “Bold and Heroic: Jane Freilicher Selects Paintings at the NAD,” The New York Sun, July
Long, Robert, “Moving Photos, Bland Paintings,” The East Hampton Star, June
Long, Robert, “Freilicher on Painterly Realism,” The East Hampton Star, June
Smith, Roberta, “When a Painter Plays Curator, a Distinctive Vision,” The New York Times, June
Teachout, Terry, “In Jane Freilicher’s Landscapes and Kate McGarry’s Jazz Improvisations, There’s Room to Roam,” The Washington Post, May
Mahoney, Robert, “Jane Freilicher,” Time Out New York, April
“Jane Freilicher,” The Week, April
Long, Robert, “Paintings Not What They Seem,” The East Hampton Star, April
Fels, Sophie, “Jane Freilicher,” The New Yorker, April
2001
Long, Robert, “Works of Containment And Color,” The East Hampton Star, July
Prose, Francine, “Painting Nature,” Victoria Magazine, May
“Figuratively Speaking,” NY Arts, February
Wilkin, Karen, “Making the case for figuration,” The New Criterion, February
Kramer, Hilton, “Figurative Rebels Joined in NY School Reunion,” The NY Observer, January
“Reconfiguring the New York School,” Goings On About Town, The New Yorker, January
2000
Arthur, John, Green Woods and Crystal Waters: The American Landscape Traditions, Philbrook Museum of Arts (exh. cat.)
Gray, Timothy, “New Windows on New York: The Urban Pastoral Vision of James Schuyler,” Genre: Forms of Discourse and Culture, vol. 33, no. 2, Summer
Simic, Charles, Jane Freilicher, New York: Tibor de Nagy Gallery (exh. cat.)
Esplund, Lance, “Jane Freilicher at Tibor de Nagy,” Art in America, December
Goodrich, John, “Reconfiguring the New York Art School,” Review NY.com, November
Colacello, Bob, “Studios by the Sea,” Vanity Fair, August
Sheets, Hilarie M., “Jane Freilicher,” ARTnews, Summer
Long, Robert, “Two Strong, But Different Shows,” The East Hampton Star, May
Lehman, David, “O’Hara’s Artful Life,” Art in America, February
1999
Brown, Kathan, Why Draw a Landscape, San Francisco: Crown Point Press.
Corbett, William, “Jane Freilicher and Fairfield Porter,” Modern Painters, Fall
Solomon, Deborah, “Art/Architecture; When Artists and Writers Shared the Scene,” The New York Times, July
Braff, Phyllis, “Diverse Views of a Changing Landscape,” The New York Times, May
Zimmer, William, “Paintings That Offer Viewers A Look Out the Window,” The New York Times, April
Kramer, Hilton, “Whitney Banishes Porter to its Suburban Outpost,” The New York Observer, March
1998
Matthews, Harry, Jane Freilicher: New Paintings and Pastels, New York: Tibor de Nagy Gallery, (exh. cat.)
Lehman, David, The Last Avant-Garde: The Making of the New York School of Poets, New York: Doubleday
Pardee, Hearne, ARTnews, September
Thomas, Michael M., “Landscape Artists,” Hamptons Country, August
Mathews, Harry, Modern Painters, Summer
Johnson, Ken, “Art in Review,” The New York Times, May
Smith, Dinitia, “The Views from Her Windows Are Enough,” The New York Times, April
Sansegundo, Sheridan, “Jane Freilicher: Cues from Nature,” The East Hampton Star, April
Stack, Sarah, “Art Review: As he liked it,” Taconic Newspaper, January
1997
Lehman, David, “The Heretic” (Fairfield Porter), American Heritage, September
Kimmelman, Michael, “Art in Review,” The New York Times, September
Kramer, Hilton, “Tibor de Nagy Gallery Shows Off A Lucky Man’s Collection,” The New York Observer, August 4
LeSueur, Joe, “More Old Friends – Best Show in Years,” The East Hampton Star, June
1996
Wilkin, Karen, “At the Galleries,” Partisan Review, Fall
Henry, Gerrit, “Painterly Realism and the Modern Landscape,” Art in America, September
Long, Robert, “Landscapes & Master Prints,” The Southampton Press, September
Berman, Avis, “Art: Contemporary Country Landscapes,” Architectural Digest, June
1995
Ashbery, John, Jane Freilicher, New York: Fischbach Gallery (exh. cat.)
1995 Biennial Exhibition, New York: Whitney Museum of Art (exh. cat.)
Helter, Nancy G. and Jules, North American Women Artists of the Twentieth Century, New York: Garland Publishing
Stern, Robert A. M., Mellins, Thomas & Fishman, David, New York 1960: Architecture and Urbanism Between the Second World War and the Bicentennial, New York: The Monacelli Press
Braff, Phyllis, “From Edge of Social Conscience to Jazz,” The New York Times, September
Ash, John, “Jane Freilicher,” Artforum, Summer
“Jane Freilicher/Fischbach,” The New York Review of Art, Summer
Johnson, Ken, “Big Top Whitney,” Art in America, June
Solomon, Deborah, “Urban Arrangement,” Mirabella, May
Bland, Celia, “Back to Basics,” Museums New York, April
Schjeldahl, Peter, “One Man Show: Klaus Kertess’s Biennial Moyen Sensual,” The Village Voice, April
Plagens, Peter, “The Impossible Exhibition,” Newsweek, April
Kramer, Hilton, “It’s Not A Pretty Story: Whitney’s Cakes ‘n Christ,” The New York Observer, April
Napack, Jonathan, “Some Biennial Buzz: Klauss Kertess as Rip Van Winkle?” The New York Observer, April
Stevens, Mark, “A Polite Biennial,” New York Magazine, April
Cotter, Holland, “Jane Freilicher,” The New York Times, March
Kimmelman, Michael, “A Quirky Whitney Biennial,” The New York Times, March
Solomon, Deborah, “All Persuasions, No Whiners,” The Wall Street Journal, March
Tallman, Jerry, “Carnival on Madison Avenue,” New York Post, March
1994
Lucie-Smith, Edward, American Realism, New York: Harry N. Abrams
Marquardt-Cherry, Janet, Nothing Overlooked: Women Painting Still Life, San Francisco: Contemporary Realist Gallery (exh. cat.)
Braff, Phyllis, “Long Island Landscape: A New Era at Lizan-Tops Gallery,” The New York Times, September
Kertess, Klaus, “Private Pleasures,” Elle Decor, August
Gibson, Eric, “East End Landscape Shows,” The East Hampton Star, June
1993
Bullard, CeCe, “Art Notes,” Richmond Times-Dispatch, July
Bullard, CeCe, “Abstracts a Pleasure to Behold,” Richmond Times-Dispatch, July
Rosenbaum, Lee, “If It’s Not Popular, That’s Too Bad,” The New York Times, March
1992
Rosenblum, Robert, “The Withering Greenbelt: Aspects of Landscape in Twentieth-Century Paintings,” Denatured Visions: Landscape and Culture in the Twentieth Century, New York: Harry N. Abrams
Corn, Alfred, “Jane Freilicher,” ARTnews, September
Bourdon, David, “Critic’s Diary,” Art in America, September
1991
Westfall, Stephan, “Vanishing Acts,” Art in America, June
Pozzi, Lucio, “Che ve ne Sembe Dell’America,” Il Giornale Dell’Arte, Torino, Italy, May
1990
Pisano, Ronald, Long Island Landscape Painting Volume II: Twentieth Century, New York: Little, Brown & Co.
Pardee, Hearne,” Jane Freilicher,” ARTnews, September
Brenson, Michael, “Jane Freilicher,” The New York Times, March
“Goings on About Town,” The New Yorker, March
Daxland, John, “Combing City Art with Country Art,” The Daily News, March
Slivka, Rose S., “From the Studio,” The East Hampton Star, March
1989
Arthur, John, The Spirit of Place, Boston: Little, Brown & Co.
Ashbery, John, Reported Sightings, New York: Alfred Knopf
“Jane Freilicher,” Current Biography, vol. 50, no. 11, November
Kalina, Richard, “Painting Horizon,” Arts, November
Cummings, Mary, “Filtering the Landscape Through Different Lenses,” The Southampton Press, August
Long, Robert, “Parrish Exhibit Explores Variety of Perspectives,” The Southampton Press, August
Braff, Phyllis, “Landscape Themes Clarified,” The New York Times, August
Slivka, Rose S., “From The Studio,” The East Hampton Star, August
Wallach, Amei, “Landscapes on the Horizon,” Newsday, August
Smith, Roberta, “Taking a Look or Two Back in the Hamptons,” The New York Times, June
Brenson, Michael, “164th Annual Exhibition at the National Academy of Design,” The New York Times, March
Brenson, Michael, “Jane Freilicher,” The New York Times, March
1988
Finch, Christopher, Twentieth-Century Watercolors, New York: Abbeville Press
McCatchy, J. D., Poets on Painters, Berkeley: Univ. of California Press
Grimes, Nancy, “ACA: Land,” ARTnews, November
Braff, Phyllis, “Drawing Lines: East End Anthology,” The New York Times, November
Long, Robert, “East End Drawing Exhibit at Parrish,” The Southampton Press, October
Slivka, Rose S., “Conclusions Drawn,” East Hampton Star, September
Delatiner, Barbara, “The Spotlight Shines on Drawings,” The New York Times, September
Henry, Gerrit, “Jane Freilicher at Fischbach,” Art in America, September
Kramer, Hilton, “2 Artists Take Risks in the Realm of ‘Beautiful,” The New York Observer, April
Wallach, Amei, “Rediscovering the Spirit of the Breakway ‘50’s,” Newsday, April
Russell, John, “Urban and Rural Vistas from Jane Freilicher,” The New York Times, April
1987
Crane, Diana, The Transformation of the Avante-Garde: The New York Art World, 1940–85, Chicago: University of Chicago Press
Wender, Abigail, “Water Mill, New York,” Diversion, August
Koch, Kenneth, “In Broad Daylight: The Paintings of Jane Freilicher,” Columbia, February
1986
Doty, Robert, ed., Jane Freilicher: Paintings, essays by John Yau, John Ashbery and Linda L. Cathcart, New York: Taplinger Press
Johnson, Patricia C., “A View From the Inside,” Houston Chronicle, December
Chadwick, Susan, “Freilicher’s View: Near and Far,” The Houston Post, November
Crossley, Mimi, “Welcome to the Real World,” Houston City, November
Brenson, Michael, “Jane Freilicher Casts Her Landscapes In A Special Light,” The New York Times, September
Wallach, Amei, “Voluptuous,” Newsday, September
Berman, Ann, “New York For Sale,” Town & County, September
Larson, Kay, “Museums,” New York Magazine, September
Harrison, Helen A., “Freilicher’s Inner Visions,” The New York Times, September
Henry, Williams, “Jane Freilicher: Little by Little, A Life of Painting,” The Southampton Press, September
Sill, Gertrude Grace, “American Art: American Women,” Westport News, February
Preston, Malcolm, “A Landscape Revival,” Boston Sunday Globe, January
1985
Henry, Gerrit, “Jane Freilicher and the Real Thing,” ARTnews
Martin, Alvin, foreword by Henry T. Hopkins, introduction by Glenn C. Janss, American Realism: Twentieth-Century Drawings and Watercolors From the Glenn C. Janss Collection, New York: San Francisco Museum of Modern Art in association with Harry N. Abrams, Inc.
Russo, Alexander, Profiles on Women Artists, Frederick, MD: University Publications of America
Ashbery, John, “On Jane Freilicher,” edited by Daniel Halpern, Writers on Artists, San Francisco: North Point Press
Lipton, Karin, “A Show Inspired by a 100th Birthday,” Newsday, December
“Visionary Landscape,” The Journal of the Artists,’ Choice Museum, vol. 5, Cover; Fall
Dalphonse, Sherri, “Editor with a Brush,” Hamptons Newspaper Magazine, August
“Anniversary Portfolio: Artists View the South Folk,” East Hampton Star, May
Ashbery, John, “Rediscovering the Landscape,” Newsweek, April
Brenson, Michael, “Jane Freilicher,” The New York Times, March
1984
Brenson, Michael, “The First Eight Years at the Artists’ Choice Museum,” The New York Times, December
Henry Gerrit, “Art and Friendship at the Artists’ Choice Museum,” ARTnews, November
Raynor, Vivien, “Paintings by 15 Friends of Fairfield Porter,” The New York Times, August
Larson, Kay, “The Real Things,” New York Magazine, July
1983
Cathcart, Linda L., American Still Life: 1945–1983, Houston: Contemporary Arts Museum in association with Harper and Row
Strand, Mark, ed., foreword by Robert Hughes, Art of the Real: Nine American Figurative Painters, New York: Clarkson N. Potter, Inc.
Hoelterhoff, Manuela, “Serious Painting in a Vanishing Landscape,” The Wall Street Journal, September
Kalil, Susie, “Painting: American Still Life 1945-83,” The Houston Post, September
Campbell, Lawrence, Art in America, Summer
Bass, Ruth, ARTnews, May
Glueck, Grace, “Jane Freilicher,” The New York Times, March
Mathes, Margaret, “Jane Freilicher,” American Artist, March
1982
Rubenstein, Charlotte Streifer, American Women Artists, New York: Avon Books
Oresman, Janice C., “Still Life Today,” Arts, December
Stevens, Mark, “Revival of Realism,” Newsweek, June
1981
Interview with Freilicher, Fairfield Porter: Catalogue Raisonne of his Prints, Holland House
Henry, Gerrit, “New York Reviews,” ARTnews, March
Forgey, Venjamin, “A Comeback of Sorts for Self-Portraits,” The Washington Star, February
Martin, Alvin, Real, Really Real, Super Real: Directions in Contemporary American Realism, Texas: San Antonio Museum Association (exh. cat.)
1980
Eckhoff, Sally, “Vegetable Matters,” Village Voice, December
Russell, John, “Jane Freilicher,” The New York Times, November
Shirey, David L., “Art,” The New York Times, September
Arthur, John, Realist Drawings and Watercolors: Contemporary Works on Paper, New York: New York Graphics Society
1979
Berlind, Robert, “Jane Freilicher,” Art in America, May/June
Ashbery, John, “Ut Pictura Poesis,” New York Magazine, January
Raynor, Vivien, “Jane Freilicher,” The New York Times, January
Tallmer, Jerry, “Colors Almost Too Beautiful,” The New York Post, January
Munroe, Eleanor, Originals: American Women Artists, New York: Simon and Schuster
1978
Stevens, Mark, “Realisms New Look,” Newsweek, March
“Landscape Views,” Symposium Report edited by Lawrence Alloway, Department of Fine Arts, State College, Montclair, NJ
1977
Shorr, Harriet, “Jane Freilicher,” Arts, March
1976
Larson, Kay, “Painting the Public Lands,” ARTnews, vol. 75, no. 1, January
1975
Ashbery, John, “Jane Freilicher at Fischbach,” Art in America, vol. 63, no. 3, May/June
David, Douglas, “The Painters’ Painters,” Newsweek, May 13
Frackman, Noel, “Jane Freilicher,” Arts Magazine, vol. 49, no. 8, April
Bourdon, David, The Village Voice, February
Alloway, Lawrence, “Art,” The Nation, February
Kramer, Hilton, “Jane Freilicher is Back,” The New York Times, February
1972
Alloway, Lawrence, The Nation, February
1972 Annual Exhibition: Contemporary American Painting, New York: Whitney Museum of American Art (exh. cat.)
1971
Gerrit, Henry, “New York Letter,” Art International, vol. 15, no. 5, May 20
Schjeldahl, Peter, “Urban Pastorals: The Manhattan Scene,” ARTnews, February
1967
“Jackson Pollock: A Montclair Artist’s Symposium, Part 2,” ARTnews, May
1966
Schuyler, James, “The Paintings of Jane Freilicher,” Art & Literature, no. 10
Freilicher, Jane. “Portfolio,” The Paris Review, Issue 37, Spring
1965
Berrigan, Ted. “Painter to New York Poets,” ARTnews, vol. 64, no. 7, November
1964
“Jane Freilicher and Alex Katz: A Dialogue,” Art and Literature, vol. 1, March
1961
Schuyler, James. “Reviews and previews: Jane Freilicher,” ARTnews, November
1960
M[unro], E[leanor], “Reviews and previews: Jane Freilicher,” ARTnews, February
Crehan, Hubert, “Reviews and previews: Elaine de Kooning, Alex Katz and Jane Freilicher,” ARTnews, February
1959
“The Love Kim Novak Hides,” Screen Album, no. 89, November–January
1958
S[chuyler], J[ames], “Reviews and Previews: Jane Freilicher,” ARTnews, November
Campbell, Lawrence, “Reviews and previews: Jane Freilicher,” ARTnews, March
1957
O’Hara, Frank, “Some New American Painters,” Folder III, New York: Tiber Press
1956
Porter, Fairfield, “Jane Freilicher Paints a Picture,” ARTnews, vol. 55, no. 5, September
1954
O’Hara, Frank, “Reviews and Previews,” ARTnews, vol. 53, no. 2, April
1953
Porter, Fairfield, “Reviews and Previews,” ARTnews, February
1952
Porter, Fairfield, “Reviews and Previews,” ARTnews, vol. 51, no. 3, May